Wednesday, January 26, 2011

Fashion / Fashion Spotlight Street Chic Daily January 26, 2011 LONDON A dapper wool overcoat balances this... see full look » advertisement The Magazine Katie Holmes Photo Cover Story February 2011 - Katie Holmes more from this issue » buy this issue now » Click here to find out more! Designer Files Elle Designer Files Your all-access pass to everything you love about fashion's top designers Click here to find out more! Glo Love, Loss, and What I Wore




A few years ago, I left my Wisconsin farm to visit a very stylish, beautiful, well-groomed friend in a hot Southern city. Although she is a modest person, she has ball gown after ball gown in garment bag after garment bag; shelves for her jewelry boxes; many pocketed hanging devices for her heels, her mules, her velvet sandals; and sealed containers for her sumptuous woolens, boxes no moths would dream of invading.
When I was a girl, my nickname was Mud-dog, for the same reason the dirty mess of a boy in Peanuts was called Pigpen. Through the years, I’ve learned how pointless it is to spend real money on clothes—for example, a Pollock splash of wine down the front and across the bosom of the thousand-dollar sweater, the very first night I wore it. The shameful truth is this: I hardly try anymore. I’ve nearly given up.
But in the thick humidity in the South with my glamorous friend it seemed reasonable to consider buying a shearling coat by the Canadian designer Zuki, the curly fleece pressed into shimmery gray-brown ripples, what the Badlands might look like from a satellite. The saleswoman assured me that Zuki had not killed the sheep in order to make the coat, which seemed unlikely, since the very skin side was there, a fine, soft suede. My hostess colluded too: “You have to buy this exquisite fur. Sixty percent off! You won’t be sorry.” A good friend always roots for commerce.
It seemed a bold, imaginative act, not only to dream that the world would again go cold, but that I would at some point have garments that I could wear with such a coat. Reader, I bought the Zuki. Yes, it was a great bargain, but still more than I could afford, so that the instant the salesgirl swiped my credit card I went prickly all over with regret. Also too late, I remembered that I live in a small town, that I would have no occasion to wear the coat, and that my perfectly good winterwear, a long brown Benedictine nun affair from Macy’s, served me quite well. It was a coat you could bundle up into a nice pillow shape or throw over yourself in the gate area while you waited out the delays. A little shaken, I went home, and there, during the show-and-tell portion of dinner, I took my purchase out of the box and did a runway walk for my husband and two children.
No support for old Mud-dog from that crew:
“You paid how much?”
“Are you out of your mind?”
“It’s ugly! It’s hideous! That sheep was too killed!”
Later, the neighbors had the same verdict, and my sister, the ultimate fashionista, tried to be nice but thought I’d done wrong. One thing led to the next: My son kindly offered to help me put the Zuki on eBay. He took the photos, he led me through the labyrinth of rules and regulations. I wanted to get a goodly portion of the money back, and along with the cash, the erasure of regret. But imagine! In the hottest summer on record, no one out in the climate-free cyberworld wanted to pay more than 100 bucks. And so I wrapped the thing in a garbage bag and threw it in the chest freezer, my version of the cedar-lined walk-in closet.
A few years passed; the coat remained moth-free in the basement until one bitterly cold morning when it rose before me in a waking dream. I got up, removed it from the bag, and sniffed for freezer burn. I was going to New York the next day, and if it didn’t smell of frosty ice cream, meat, and vegetables, I might finally wear it. I had no appropriate accessories, no boots, no terrific hat, no matching scarf, no elegant gloves. But my God, it was warm. I walked into the cutting wind down Lexington Avenue, and I felt like King Arthur’s sword slicing through the stone. It turns out it’s not only the sheep’s pin-size brain that allows it to stand stolidly around outside in the driving rain, but the radiating electric-blanket-like warmth of its own skin. I was a Mud-dog in sheep’s clothing: comfortable, exhilarated, and, as you will see, fashionable.
On that trip, I had occasion to go to a concert with my cousin and his friend, the one who has famously worked in fashion for several decades. I had never met this celebrity, but when I walked up to the pair waiting for me in the lobby, before we could be introduced, before a single word was exchanged, the friend reached for my coat. He clutched it and me to him. “Where did you get this?” he breathed. “I haven’t seen such a coat in years.” He pronounced: “This coat is fabulous.”
Note to everyone: Ha ha! My beautiful Southern friend had been right to steer me to the New York–certified fabulous coat, I had been right to buy it, everybody else was wrong, wrong, wrong.
It is still my best purchase to date, and so far, I haven’t wrecked it. Through the spring and summer and fall it awaits me in the freezer for next season, for those times when I again feel transformed in a glorious city on a bracing winter’s day.

Screen Style: Gossip Girl




When the CW's Gossip Girl premiered in 2007, the rich-kids-gone-wild drama used its hallway as a runway, making private-school plaid and appliqué headbands instantly covetable (even designer Anna Sui is hooked: she based her entire Target collection on the nighttime soap). But in the show's third season, now airing on Monday nights, Blair, Serena, and Vanessa are headed to college (while Jenny rules the school as a junior), which means bye-bye jumpers and hello, well, what? "There will definitely be more of an adult allure to the wardrobe," says costume designer Eric Daman, a former model who once worked as an assistant to Patricia Field on Sex and The City. Daman talks to ELLE.com about the ladies of GG and the inspiration behind their ever-evolving wardrobes. Plus, ELLE shops the look so you can crib their style (without leaving your keyboard).

The Best Ways to Wear Blue Eye Shadow

The dramatic eyes at Versace’s fall 2009 show were deep and mysterious, played up by makeup artist Pat McGrath with a “metallic midnight-blue.” Cobalt peepers also provided pops of color at Nicole Miller, Rebecca Taylor, and Tibi, suggesting that blue eyes are more than a passing fancy. But if you’re wary of the trend—unable to suppress memories of Mimi Bobeck’s scary turquoise shadow on The Drew Carey Show—McGrath, global creative design director for P&G Beauty, offers encouragement.

“When you go out at night, be brave and play with color,” says the makeup guru. “It’s all about having fun with your makeup.” And if the runway looks are too bold for your taste, don’t worry—there are equally stylish, more subtle alternatives. “You can do a classic smoky eye and add a little blue at the center of the lid. Or you can opt for just a flash of color by doing a wet blue dot on the inner corner of the eye,” says McGrath. “You can also blend blue eye shadow with a brown one and do a small tick at the outer edges with blue eye liner.”